3.9.2 haiku
Maryalice Yakutchik
Science Party / International Ocean
Discovery Program / Expedition 392
Agulhas Plateau
Hole U1580a
When the speaker barks,
we all rush to the catwalk—
Core is on the floor!
A hole is a whole
book of time to be savored—
Past informs future
Suspense—when after
travel, transit and pipe trip
first core comes on deck
There once was a chert
from Agulhas; fell into
our core to fool us
Soft and white like snow
nannofossils, more than stars
in a galaxy
Whitish-gray muck mud
deemed unremarkable—
keeps silent secrets
Clear and yet a haze
a fog bank rolls over me
shadows sediments
Tipped with a spear point
but eventless sediment
the form an idea
White chalk green clay chalk
warm greenhouse Earth history
code to the future
Well! this is core eight
still many more to drill
'til reaching basalt
Tracks and trails preserved
over millions of years
tales of ancient bugs
Fifty million
A rosette discoaster
Chosen for age
Core on deck they said
Did the band get together?
Diatoms aren't us
Even with slight change
these sections provide a tale
of circulation
Pulled from calm seas and
mottled with life of the past,
reveals what’s to come
A new wind blowing
Carries fine magnetic dust
Origin unknown
Moisture, density, color
Something missing in my data log—
Probably time?
Reading rock records
Could nature have rewritten
the first manuscript?
Nature's signatures
white shells of the sea remain
remnants of life past
Dark grey bands break up
the sovereign monochrome
Broken up pieces
We know half the tale
the other is lost to time
never recovered
Water in your pores?
Can I squeeze you just a bit?
Change the world we know
Life continues on,
A new world order rises.
Nothing is the same
KaTy’s Boundary
Subtle, but ever present
She yells: No samples!
Happy marine life
Swimming. Floating. Unaware,
Of what’s soon to come
Planktonic bliss
Destined for calamity
Agulhas chalk seas
At 6 I was on deck
seven cycles I reveal
Warm or cold, who knows
Filter-feeding this
screen inoceramid ring
bearing my era
What color is this?
Seems white, and it reverses
however poorly
White and grey segments
the look of marble counters
elevated fate
Red and white rhythms
telling secrets in cycles—
an anchor dropped.
Burrows and layers
life history and changes—
the green stuff is near
Green to red to beige
paleo-environment
colors reflect change
Deep in the core now
lithified and well preserved
forams a plenty
Cycles on cycles
repetition in time past
hints at the future
Turbated chalk
a little coccolith stands
for Cretaceous
Window to past world
shelly fossils suspended
in a blue-green sea
A dark sandy beach
beneath crumbling volcanoes
the tides never stop
Into the green clays
elements flow from the sea
reverse weathering
Underwater tales
of slow rains, quick storms—told in
vivid shades of green
Millions of years old
the minerals here still change—
diagenesis
Moving across time
who is carbon king and pawn—
what controls this game?
Fragmented gradient
mysterious origins
secrets to emerge
Zeolite is an
Earth mineral, mean and green
as Oscar the Grouch
We have tried so hard
got nothing but core catcher—
must try hard again
The sorrow of an
empty liner—mocking our
attempts to advance
A great transition
from sediments to lava
everything changes
Creeping magma cooks
rocks black, green, red—Which hottest?
What may have been lost?
From deep inside the earth
I rose to conquer the world—
and was stopped by chert
You stagger my depths—
recovering in scuttling
night tones, never touched
Dare to discover
basalt rocks formed first on Earth
nucleus of rocks
Basalt weathering
makes celadonite and traps
carbon dioxide
Dark rock of the deep
ancient heat of Earth's forming
reclaims shells of life
Dark green bands trace crown
pockets of moss and faint stars
fade into basalt
Layers and layers
white, red, green, the life marine
the rock's life story
It is black, this one,
and stays normal, head to toes—
What does it tell us?
Dark like the new moon
above, basalt that formed
millions of years past.
Secrets of oceans
buried ancient live—discover
hidden past for most
Caught between two sills
condemned to existence in
darkness and pressure
A hiatus is
a recess of missing time—
What do we not see?
An exhalation
of gas in magma leads to
rock with vesicles
Big surprise appears
sediments below thick basalt
baked to perfection
Subtle colored bands—
where rocks were burnt by heat from
ancient volcanoes
A chilled margin shows
molten rock met sediment
not pleasant for both
Molten magma formed
olivine, pyroxene and
feldspar, last and least
I think that I shall
never see a fresh basalt
as lovely as thee
Taking time to cool,
large crystals give us a hint—
reveal magma’s past
When fresh rocks exchange
elements with seawater
it’s alteration
Within the stone
that the stone holds the stone
fingers interlocking fingers
Ode to the best bit
whose courage and fortitude
carried us so deep
Your loveliest lines
lie, left under layers, in
faults, slips and failures
Joerg Geldmacher
Core 0
Anon
Core 1
Peter Bijl
Core 2
Laurel Childress
Core 3
Debadrita Jana
Core 4
Maryalice Yakutchik
Core 5
Raleigh Darnell
Core 6
Raleigh Darnell
Core 7
Steve Boharty
Core 8
Joerg Geldmacher
Core 9
Debadrita Jana
Core 10
Odysseus Archontikis
Core 11
Sietske Batenburg
Core 12
Jason Coenen
Core 13
Shannon Haynes
Core 14
Matt Jones
Core 15
Alexander Minakov
Core 16
Alexander Minakov
Core 17
James McManus
Core 18
Raleigh Darnell
Core 19
Debadrita Jana
Core 20
Johanna Suhonon
Core 21
Courtney Sprain
Core 22
Katy Smith
Core 23
Courtney Sprain
Core 24
Matt Jones
Core 25
Thomas Westerhold
Core 26
Corbyn Beach
Core 27
Edoardo Dallanave
Core 28
Kelsey Doiron
Core 29
Sietske Batenburg
Core 30
Jason Coenen
Core 31
Gabriele Uenzelmann-Neben
Core 32
Ashley Burkett
Core 33
Hayley Cawthra
Core 34
Odysseus Archontikis
Core 35
Steve Bohaty
Core 36
Donald Penman
Core 37
Allyson Tessin
Core 38
Debadrita Jana
Core 39
Allyson Tessin
Core 40
Tom Wagner
Core 41
Kelsey Doiron
Core 42
Derya Guerer
Core 43
Thomas Westerhold
Core 44
Laurel Childress
Core 45
Peter Davidson
Core 46
Tom Wagner
Core 47
Gabriele Uenzelmann-Neben
Core 48
Corbyn Beach
Core 49
Jens Herrle
Core 50
Pratyusha Chanda
Core 51
Donald Penman
Core 52
Raleigh Darnell
Core 53
James McManus
Core 54
Edoardo Dallanave
Core 55
Shannon Haynes
Core 56
Jens Herrle
Core 57
Gabriele Uenzelmann-Neben
Core 58
Hayley Cawthra
Core 59
Joerg Geldmacher
Core 60
Peter Bijl
Core 61
Debadrita Jana
Core 62
Joerg Geldmacher
Core 63
Joerg Geldmacher
Core 64
Laurel Childress
Core 65
Peter Davidson
Core 66
Joerg Geldmacher
Core 67
Luan Heywood
Core 68
Laurel Childress
Core 69 (aka, the Beyond—
as in, the cores we didn’t get)
Corbyn Beach
The Science
‘3.9.2.haiku’—a literary porthole into deep ocean drilling—represents symbiosis in both form and function. It’s a string of dozens of voices of distinct species of scientists who travelled from countries all over the world to live in close quarters and work together aboard the JOIDES Resolution for the long-term, mutual benefit of all. The poem describes, in sequence, 68 sediment cores spanning more than 70 million years and constituting the whole of a hole. ‘3.9.2.haiku’ captures scientific exploration and discovery as it took place in remote locales, far from the public eye. It invites audiences of all ages to engage with cores from the privileged point-of-view of researchers who were the first to see, smell and touch material from deep under the ocean floor; who, after watching the cores be split open, spent hours analyzing each centimeter of mud and rock. The individual haiku are gems that reveal anticipation, frustration, awe, excitement and wonder. Strung together, they uncover a trove of insights that span millennia. By allowing us to see ourselves as tiny points on a long ecological and geological spectrum, the collection reveals how fortunate we are to be alive at this moment, on this planet.
The Poet
Maryalice Yakutchik is a multimedia journalist who lives in Maryland and works at Johns Hopkins University. She was a member of the science party for Expedition 392, sailing as the onboard outreach officer for the International Ocean Discovery Program. Working with 3 dozen researchers from around the globe aboard the JOIDES Resolution, a research drilling ship, she facilitated the creation of a string of haiku that describes the whole of hole 1580A, drilled into the Agulhas Plateau, situated deep under the Indian Ocean off the coast of Cape Town, South Africa. Maryalice’s writing and photographs have appeared across a wide range of media, including the Discovery Channel and NPR.
Next poem: A conversation with industrialization by Kayla-Jane Barrie